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IMPORTANT Japanese PERIOD 1880-1920
By 1880 and after, export demands exploded. China's cloisonne
production increased significantly for the European and American markets. Quality suffered, due to the mass
produced, sloppy workmanship of these decorative and utilitarian items. Motifs became more mundane and repetitive, with
much copied traditional subjects, and symbolic nature motifs. The market was flooded with smoking implements,
decorative objects, figurines, and small dinnerware accessories. For Japan, this period of 1880 to 1920 became the golden
era of Japanese master cloisonne craftsmen. After participating in International Exhibitions, bringing to France, in
1867, their first cloisonne exhibits. With the years and their increased mastery, entitling them to prizes for their
superb cloisonne items, Japan became the most sought-after exporter of cloisonne, replacing China. Pieces were designed and
created over many months in the master's studios. Keeping the quality very high and the demand high as well. The
irony is that after Japanese cloisonne was internationally recognized and praised, creating a huge demand for more pieces
for the middle classes, this trigered a huge production from Japan with much less refinement and shoddy workmanship.
Eventually causing a backlash and the downfall of some of the more reputable makers. Demand for their exclusive
and very pricey masterpieces declined with their studios closed by the 1920s. That's why there is, and was such a difference
in price between Chinese and Japanese cloisonne produced during that short 40 year period. Even today, these Japanese masterpieces have
values in the $20,000 to $50,000 dollar range or more. In this section, using three columns, I show the wide variety of Japanese
cloisonne pieces compared to their Chinese counterparts. You can go to the Japanese MARKS page for example of each Japanese
master-craftsman's mark and product if I have it.
While Chinese cloisonne remained traditional, staying with their tried and true motifs and renditions. Japan's cloisonne
craftsmen created at least 9 new types of cloisonne between 1870 and 1910, applied to free standing objects: - the black opaque and glossy wirelesscloisonne background
with fine cloison motifs
- the translucentenamel
over relief ground without cloison, often red
- the
stippled foilground with clear graduated enamels and applied cloison motifs
- the brocades and motifs using goldstone enamels
- the moriage cloisonne with heavier relief enamel applied
motifs on smooth wireless ground
- the elevated
cloisonne with relief cloison motifs applied to a translucent wireless ground
- the cloisonne applied to ceramic bodies
- the graduated opaque wireless cloisonne motifs
- the plique-a-jour cloisonne
- and various combinations of the
above.
click
on images for the largest version
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